The appeal of “House” lies in the show’s insistence that a woman can’t save a man and its refusal to act like soap opera, the New York Times says. The finale, for example, teased with a glimpse of House and Cuddy becoming romantic, yet the show turns that twist upside down by revealing it was just a hallucination of House’s as he battles pain-medication addiction, the newspaper says. The show rewards women who get annoyed by comedies portraying achieving women giving up their lives for unemployed jerks, the Times says.
—Aimee Picchi
‘House’ Appeal Lies in Breaking Rules
May 12, 2009 • Post A Comment
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